This is a review of a re-read.
“But my heart isn’t simple or straightforward. It’s a complicated mess of wants and needs, boys and girls: soft, rough, and everything in between, an ever-shifting precipice from which to fall”.
“But this is the thing about struggling out of that hole you’ve put yourself in: the higher you climb, the farther you have to fall”.
“I want to keep my memory of her untainted, not polished by death nor shredded to pieces by words she meant only for herself. I want her to stay with me as she always was: strong and sure in everything but the one thing that mattered most, beautifully cruel and wonderfully sweet, too smart and inquisitive for her own good, and loving me like she didn’t want to believe it was a sin”.
Sophie Winters is an addict. She got hooked on painkillers after a car accident two years ago which wrecked her leg forever. But contrary to what her family, what the entire town believes, she’s been clean for over nine months now. And there was no relapse of any kind. Her best friend Mina wasn’t murdered because of a drug deal Sophie’s orchestrated. There was no drug deal at all, actually. But Sophie’s parents don’t believe her and send her to rehab anyway. Once she comes back four months later, she’s determined to find out who killed Mina and why.
However, very few people are keen to help her. The only one who seems to believe her is Rachel, the girl who found Sophie the night Mina died. Mina’s brother Trev has been in love with Sophie for the longest time, but he won’t speak to her. Her parents won’t believe her. And it goes without saying that Sophie’s time in rehab has done absolutely nothing to help her move on. Mina was her best friend – her other half, even. But some things, some secrets are buried so deep that unraveling them would send Sophie down a rabbit hole which she has little chance of climbing out of. Can Sophie solve Mina’s murder and stay clean in the process? Or will the secrets they shared with each other, and things that Mina kept to herself and herself alone, wreck Sophie to the point of no return?
I first read “Far From You” in January 2015. I remember loving it and being heartbroken by it, and recently, I decided to re-read it. However, I was quite surprised by the fact that I haven’t written a review of this wonderful novel two years ago. So this review is based on both my initial impressions and what I’ve experienced during the re-read.
“Far From You” is both mystery-centric and protagonist-centric. Sophie Winters is a first-person narrator, so the story is shown from her perspective entirely. However, her voice is the kind that makes it clear for the reader the things that she doesn’t state explicitly. This is particularly true when she talks about Mina – Sophie’s pespective of the latter is skewed by many things revealed during the course of the story. However, the reader figures out several things about Mina that venture beyond Sophie’s somewhat romanticised notion of her. This is helped further by the “before” and “after” structure of the novel – flashbacks make up about 50% of the book, which worked brilliantly, even though they were slightly difficult to follow at first. Mostly because they weren’t in the order that you would expect. To reveal more about what the reader learns about Mina through Sophie’s narration and the things left unsaid by Sophie would be quite spoilery, though, so I’ll just say this – nothing in this book as it seems.
One would even argue that the mystery of Mina’s murder is as much of a core of “Far From You”, as it is a plot device. A lot of the book focuses on Sophie’s investigation, but just as much is centered around her relationship with Mina. Even her relationships with other people – Mina’s brother Trev, Mina’s boyfriend Kyle, the subjects of Mina’s newspaper article – they’re all somewhat related to what Sophie had had with Mina. And the way “Far From You” is written doesn’t let the reader forget that. It is also written in a way that makes the reader genuinely feel for both girls, and the words used by the author are weaved into sentences that made me weep both times I read the book. “Far From You” is definitely a story that got to me, made me truly care about the characters, despite their numerous flaws. These flaws are indeed what made them real – the author doesn’t skirt around them but turns them into character traits that make the actors genuinely relatable. And I’m not just referring to the LGBT+ aspects of the book, although books with LGBT+ protagonists are incredibly important today. The author doesn’t make the characters all about their sexual orientations – Far From It (sorry for the pun). All the characters – not just the protagonists – feel like real people, real teenagers with real struggles, their sexuality being one of them, but hardly overshadowing all of their other defining traits. I love books like that. And if they make me cry – well, that’s just a bonus, isn’t it? All stories matter, and stories featuring diverse characters especially. And if they get to the reader, if they make the reader experience strong emotions, that just makes them even more important. “Far From You” is one such story.
When I found out that “Far From You” was a debut novel, I was stunned. The author is incredibly talented with words and story-weaving, and I cannot wait for her next book! My rating for “Far From You” is 8/10.
Sophie Winters – Eliza Taylor
Mina Bishop – Luisa D’Oliveira
You might like “Far From You” if you liked:
“Cam Girl” by Leah Raeder/Elliot Wake
“Complicit” by Stephanie Kuehn
“Pretty Little Liars” – Mina was no Alison DiLaurentis, yet one can’t help but draw Emison parallels.
Have you read “Far From You”? What is your favourite book with a bisexual protagonist? Let me know in the comments! 🙂
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